11 Comments
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Catherine's avatar

Chiming in as a regular reader: I think this is one of your best pieces yet! Just the right amount of everything. Keep up the amazing mahi.

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Jesse Mulligan's avatar

Thank you Catherine!

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Valerie's avatar

This is really great Jesse! An enjoyable read per usual.

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Lesley Norris's avatar

Number 11 is going to be a winner.

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Sacha Coburn's avatar

I'd read them all Jesse. I'm not sure non-writers appreciate the extent to which choosing and starting are often the hardest parts. Two shares from me: you surely listen to Mike Birbiglia's Working It Out? Let's set up a keynote joke writers room where we workshop our new material - perhaps you already have one? Can I join onetime? And Alicia McKay has written a lengthy article on AI - worth a look - heavily researched and insightful - it's on Substack called What the AI bros won't tell you.

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Jesse Mulligan's avatar

Thank you Sacha! Yes love Birbigs! He and Ira Glass together are superb. I'll look up Alicia and now have a two month break between gigs so free to workshop or just coffee!

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Alicia McKay's avatar

Killer format. Very well played

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Rebecca Caroe's avatar

I liked Clive James best. Carry on please

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Lindsay Wood's avatar

A great mix of entertainment and insight, thanks, Jesse. As I read, I was hoping that you would wrap up by revealing one that did work for you rather than ten that didn't. But of course you did - #10 would then have been "I have a lovely book of essays called Forty-One False Starts, by Janet Malcolm..." and press repeat.

Your #6: AI Apocalypse I suspect traces back to one of the incredible conversations between Daniel Schmachtenberger and Nate Hagens, probably at https://www.youtube.com/watch?app=desktop&v=_P8PLHvZygo&t=865s (be warned: a 3-hour brain boot camp).

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Emma Gleason's avatar

Oh dear, I just ignored your warning and read the New York Times story.

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Cindy's avatar

😁 Excellent! Only familiar with Clive James for his interviews, so must bookmark his writing for the future.

It is interesting to get a look behind the WHYs of what people CHOOSE to share (or not) in writing - poisonous vitriol on FB or beautiful prose in various formats. Most of my writing was reporting (to a boss) or newsletter items relating events, so pretty much dictated WHAT & WHY I was writing. However, arguments for legal-adjacent support, or Submissions to govt bills (most of my writing lately!) both require a lot of abandoned "work" which may be the best of the lot but won't advance the cause being advocated for or against.

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